George Segal

George Segal, Jr. (born February 13, 1934) is an American actor and musician.

Segal became popular in the 1960s and 1970s for playing both dramatic and comedic roles. Some of his most acclaimed roles are in films such as Ship of Fools (1965), King Rat (1965), Who's Afraid of Virginia Woolf? (1966), Where's Poppa? (1970), The Hot Rock (1972), Blume in Love (1973), A Touch of Class (1973), California Split (1974), For the Boys (1991), and Flirting with Disaster (1996).

He was nominated for the Academy Award for Best Supporting Actor for his performance in Who's Afraid of Virginia Woolf? and has won two Golden Globe Awards, including the Golden Globe Award for Best Actor in a Motion Picture Musical or Comedy for his performance in A Touch of Class.

On television, he is best known for his roles as Jack Gallo on Just Shoot Me! (1997–2003) and as Albert "Pops" Solomon on The Goldbergs (2013–present).

Segal is also an accomplished banjo player. He has released three albums and has also performed the instrument in several of his acting roles and on late night television.

George Segal (artist)

George Segal (November 26, 1924 – June 9, 2000) was an American painter and sculptor associated with the Pop Art movement. He was presented with the United States National Medal of Arts in 1999.

Works

Although Segal started his art career as a painter, his best known works are cast lifesize figures and the tableaux the figures inhabited. In place of traditional casting techniques, Segal pioneered the use of plaster bandages (plaster-impregnated gauze strips designed for making orthopedic casts) as a sculptural medium. In this process, he first wrapped a model with bandages in sections, then removed the hardened forms and put them back together with more plaster to form a hollow shell. These forms were not used as molds; the shell itself became the final sculpture, including the rough texture of the bandages. Initially, Segal kept the sculptures stark white, but a few years later he began painting them, usually in bright monochrome colors. Eventually he started having the final forms cast in bronze, sometimes patinated white to resemble the original plaster.